Archive for the 'book publishing' Category

How to lose money on every book sold

In order to gain market for its Kindle e-book reader, Amazon has been buying books from publishers for $13 each and selling the Kindle-formatted version for $9.99 each. At a loss of three bucks a book, how long can this continue?

Donald B. Marron, visiting professor at the Georgetown Public Policy Institute and president of Marron Economics LLC., writing on April 22, 2010, in the Christian Science Monitor said, “By the end of last year, Amazon accounted for an estimated eighty per cent of all electronic-book sales, and $9.99 seemed to be established as the price of an e-book. Publishers were panicked. David Young, the chairman and C.E.O. of Hachette Book Group USA, said, ‘The big concern—and it’s a massive concern—is the $9.99 pricing point. If it’s allowed to take hold in the consumer’s mind that a book is worth ten bucks, to my mind it’s game over for this business.’ ”

How long can this go on? JK

Some thoughts about e-reading

Writing in the New York Times,  Verlyn Klinkenborg sings the praises both of electronic and traditionally produced ink-on-paper books. Of printed books, he appreciates that  “[t]hey do nothing. . .what I really love is their inertness. . .The book is the book, whereas, in electronic formats, the book often seems to be merely the text.”

Regarding e-books, Klinkenborg confesses, “The truth is that I need. . .help to keep reading, especially as much as I always have. The question isn’t what will books become in a world of electronic reading. The question is what will become of the readers we’ve been—quiet, thoughtful, patient, abstracted—in a world where interactive can be too tempting to ignore.”

Are there so many bells-and-whistles distractions inherent in electronic books that our abilities as readers are diminished? JK

Attorney for self-published author mum on case dismissal

As predicted, author Susan Hassett’s copyright infringement / plagiarism lawsuit against Elisabeth Hasselbeck, one of the panelists on ABC-TV’s “The View,” has been thrown out of court. [See “Author Beware!” below.] According to the Boston Herald, “It’s unclear why Hassett didn’t pursue the case. Her lawyer, Richard Cunha of Swansea, yesterday told the Herald, ‘I can [sic] talk about that,’ then hung up the phone.”

Hasselbeck continues to encounter some problems with her book as an open letter written by Elaine Monarch, executive director of the Celiac Disease Foundation, makes the rounds of blogs that discuss the disease. Monarch says, “While it is important to call attention to celiac disease, the information must be accurate—the inaccuracies in this book are potentially dangerous and detrimental to celiacs…”

Twain, Morrison, Steinbeck, Fitzgerald, Vonnegut, Salinger—every one of them a public enemy

Once again it’s Banned Books Week.

Cleveland Plain Dealer columnist and Pulitzer Prize winner Karin Perry cautions, “It takes only one—one parent, one family, one community member—to deprive [a child’s] right to read.” Your child. My child. All children.

Perry points out 85 books—most are commonly known to all of us—that have been placed on the American Library Association’s Banned Book list at the insistence of  zealots who are bent on preserving the moral purity of our youth, a purity promoted by self-appointed guardians who are determined to save our young people from (gasp!) ideas that differ from those of their protectors. Check out this list of banned books, and you’ll probably be surprised and disheartened to find just how much objectionable material you’ve been reading during the past several years. JK

Student readers are eagerly waiting for our books

Hey, I’ve got a great idea. Why don’t we all write our books for, and sell them to, college students?

Students read a lot of books, right? And they’ve got money to burn. All we have to do is get our work adopted as required textbooks, and we’ll be rich. Students always buy whatever books they’re assigned Wordle: Hey, I've got an ideafor every course. We all know that. If we format our books for the Kindle DX, we’ll really corner the market because young readers love any kind of new technology.

Well . . . Maybe not so much.

Take a look at The Battle of College Textbooks Begins Anew, SurveyU’s examination of college students’ textbook buying habits. You may be surprised. Graphic by wordle.net. JK

From stet, the newsletter of the Independent Writers of Chicago

July Meeting Reprise
There wasn’t an empty seat in the room as two-time IWOC past president Jim Kepler told a rapt audience how we could take material we might have already written, put it together in book form, publish it, and then use the book to promote ourselves for other jobs. He had a solution for those who don’t have enough related clips too. It started with “Take a box…” (or a virtual box, i.e., a computer folder). From there he gave us step-by-step instructions on how to compile materials on our topic of interest, how to define our chapters and our focus, and so on. Kepler also had a myriad of tips for shameless promotion using our newly minted book. Hint: if you’ve never written a press release, now would be a good time to start. He advised starting small by sending press releases to local civic and social organizations and offering to be a speaker. From there, you can parlay the little fish into bigger fish. To find out more about this excellent presentation, you can download or read the detailed handout on the members-only landing page.

[Not an IWOC member? Click on http://www.adamspress.com/, add a note under “Comments,” and I’ll send you the article and handouts. JK]

Author Beware! The hazards (and rewards) of sending copies of your book to celebrities in hope of receiving favorable (and free) publicity

Here’s an article from the celebrity gossip blog www.tmz.com that every author who chooses to self-publish should read. Click here.

It concerns a book written by Susan Hassett and produced by xLibris. (xLibris is associated with Random House but Random claims to have no oversight of its operations. Strange in itself.) Seems Ms. Hassett wrote a book about celiac disease and sent a copy to Elisabeth Hasselbeck, a “spitfire co-host” of ABC’s The View. Ms. Hassett is now suing Ms. Hasselbeck and others for plagiarism/copyright infringement, claiming Ms. Hasselbeck’s recently released book, The G-Free Diet, about her personal experience with celiac disease contains many similarities to Ms. Hassett’s book, Living with Celiac Disease, which was self-published a year earlier.

The story is fascinating on so many counts.

1. While several passages appear similar in both books, those claims, in my opinion, seem, at best, open to question. Isn’t  it reasonable, for example, to assume that any book on this topic might contain a section that asks the question, “What is celiac disease”? Not to Ms. Hassett, who claims it as her own.

2. I can’t help wondering whether anyone, the author herself or xLibris, made an attempt to edit Ms. Hassett’s work before printing it. The various passages quoted by her attorney in a letter to “ABC Broadcast Company” [sic] are filled with grammatical errors and misspellings.

3. Ms. Hassett may have found a kindred soul in her attorney, publicly reprimanded (by the state of Massachusetts) Richard C. Cunha, Esq., who obviously shares her own disregard for careless writing. Was it really both authors or Mr. Cunha himself who came up with “outer isles of the supermarket”?

4. The oh-so-accommodating Mr. Cunha says in his letter to ABC: “In order to avoid serious embarrassment to all concerned please be advised that I am authorized to consider an out of court settlement on behalf of my client, Susan Hassett.” Wattaguy.

5. Ms. Hassett’s suit has apparently produced a win-win publicity situation both for her and for Ms. Hasselbeck (and their respective books), at least according to Starz Life, yet another gossip site: “Hasset claims that along with the book she sent Hasselbeck a homemade cooking video, a personal note, a newspaper article and a business card.  (Nothing like a packet that screams ‘let me come on the view please.’)”

What will happen? My guess is Ms. Hasselbeck will pay up without admitting guilt, and Mr. Cunha will get his cut. Everybody looks bad, and they all win.  JK

Writing a book? Start at the end.

People occasionally tell me they’re writing a book. When I ask them what it’s about, more often than not they begin by telling me it’s totally different from anything ever before written about their subject—a truly unique approach. And then they launch into a long-winded, rambling description that tells me they haven’t yet figured out the most important aspect of the book: FOCUS.

Leaving aside the possibility that their book might, indeed, be a radically new take on their theme, their inability to state a succinct premise means they’re going to have a hard time writing it and a harder time selling it to an agent or publisher. They’re too caught up in telling me what they want to write instead of focusing on what a reader might want to read.

I don’t mean to imply that every author must be so market driven that he or she can be successful only by pandering to the buying public. Authors should not lose sight of the integrity of their work and the importance of their point of view. But if they want their book to be read—and isn’t that the reason for writing it in the first place?—they need to consider what will make their audience want to read it.

If you’re a budding author, here’s a suggestion that might help you get your book into the hands of your target reader: Write the blurb first.

What’s blurb copy? That’s the text you’ll find on the inside flap of a hard cover dust jacket or the back cover of a paperback book. It tells briefly what the book is about; it’s the pitch that is intended to sell the book. Blurb copy is an important element in the purchase process.

A customer entering a bookstore first looks around the store for orientation to decide where to begin browsing. Once he or she gets to the section where your book is shelved, the customer scans the selection looking for an eye catcher. Some of the books will be face out on a shelf; most will be spine out. For books face out, an attractively designed front cover will grab the browser’s attention. If the customer cocks his or her head to the right and reads the array of titles shelved spine out, he or she is most likely to pause at the quirkiest or most descriptive or most boldly legible titles. Book designers who concentrate all their efforts on the front cover and add spine copy almost as an afterthought do their authors a disservice. With the thousands of titles that even a small bookstore stocks, it’s not possible to display every book face out; the spine has to help make the sale.

The purpose of a book cover is to encourage a browser to want to pick up the book. The design may be words alone or an illustration—photograph or drawing—that relates to and compliments the subject of the book. The title and subtitle should pique the customer’s interest.

What does a customer do after taking a book from a bookstore shelf? Most browsers will turn the book (paperback) over or open the cover (hard cover) to read the jacket blurb. Imagine you’re that browsing customer. Ask yourself what would interest you enough to want to actually leaf through the pages and read a couple of sentences. That’s what you as an author should put in your blurb. That’s the focus, the appeal, the pitch that will help sell your book. With luck the customer will go on to check the table of contents, perhaps read a page or two, and then decide to take the book to the cashier.

*   *   *

It’s unlikely that the blurb you write now for the book you’re planning will ever actually be used. But you should still do it because

1. It will help you make a sales pitch to an agent or editor.
2. It will help you focus on target readers who will want to buy your book.
3. It will help you stay focused as you develop your book. Tack it up above your computer.
4. It will help the marketing and publicity departments work out a sales plan.
5. It will help you create sound bites to use during promotion appearances and interviews.
6. It will give you a quick answer to the question: What’s your book about?

Unless you self-publish, in the end a new blurb will probably be written by someone in the publisher’s marketing department. Also the artwork you originally foresaw anchoring the front cover illustration and the title you’ve been using since the book’s inception will undoubtedly be changed for marketing and promotion reasons.

None of your first blurb-writing attempts is wasted, however, because each step you complete on your way to a finished manuscript is an important component of your book as a final package, a focused package that will have maximum appeal to many book buyers.

It all starts with your blurb. JK

“Come, Watson, come! The game is afoot!”

“It’s a game of Whac-a-Mole,” said Russell Davis, an author and president of the Science Fiction and Fantasy Writers of America, a trade association that helps authors pursue digital pirates. “You knock one down and five more spring up.”

This time the game has to do with copyright violations and the posting of books on the Internet without permission from their authors or publishers. And there’s not much point in calling Mr. Holmes and Dr. Watson in on the case because there’s little likelihood the thieves will be caught. It costs too much time and effort to pursue them, and as author Steven King sees it, “The question is, how much time and energy do I want to spend chasing these guys . . . [a]nd to what end? My sense is that most of them live in basements floored with carpeting remnants, living on Funions [sic] and discount beer.”

Literary pirates see books that have been published in PDF versions or digitalized for Kindle or Sony Reader downloading as easy prey. One publisher alone, John Wiley & Sons, claims to have sent take-down notices to more than 5,000 violators during the past month, a figure that’s up more than five times from a year ago. Wiley now has three full-time staff persons whose job is to track offenders.

Mokoto Rich, writing in the New York Times, says, “Sites like Scribd and Wattpad, which invite users to upload documents like college theses and self-published novels, have been the target of industry grumbling in recent weeks, as illegal reproductions of popular titles have turned up on them.”

Digitalizing books, then, seems to be a double-edged sword: Yes, it may make the book more widely available, but there’s also the risk that the book could be illegally picked up, entirely or in part, and displayed on a site that does not compensate either the author or the publisher. What do you think? Digitalize or not? JK

1…2…3…Gone!

How’s this for a book title: Fleeced: How Barack Obama, Media Mockery of Terrorist Threats, Liberals Who Want to Kill Talk Radio, the Do-Nothing Congress, Companies That Help Iran, and Washington Lobbyists for Foreign Governments Are Scamming Us … and What to Do About It.

Really makes you want to curl up on a rainy afternoon and dive right in, doesn’t it?

Author Dick Morris—or more likely some marketing genius at HarperCollins—burdened his book with this10-line, 205-word winner.

David Baker, writing in MediaPost’s blog email|INSIDER says, “The average consumer spends less than three seconds scanning titles of books on a bookshelf in the store, and then spends roughly 20 seconds scanning the contents before making a decision to either purchase or sit down with the book to research further. We have turned into a culture of top 10 lists and recommendations.

“It’s not surprising that publishers recommend book titles that are three words or less. Much of the focus of book marketing today is on the design of the cover, the author’s bio and leveraging recommendations.” JK

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